Ch14 11
Ahh it's nice to be drawing action again. These kinds of pages are always my favorite to draw. Commentary may be sparse in these sorts of action pages, but I can at least default to talking about composition and such. One thing to consider in a page like this is when to apply speedlines, and when it's necessary to draw a background. In panel 3 there's a full background to set the scene of the action. In panel 4 immediately after, we have zero background with all speedlines. The last panel then has a mix, to give more depth to the vine reaching out to grab Briar's ankle. I don't generally sit and craft these angles very precisely, it's more like I have a clear image of how the action flows in my mind and pick the key "shots" to transfer into panels.
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